Feb. 24, 2026

1.18 ReelShort - The Daughter of Zeus

Show Notes
Transcript

n this episode, Meg reviews 'Daughter of Zeus,' a series that intertwines Greek mythology with themes of fate, love, and character dynamics. She discusses the plot, character relationships, production quality, and the potential for future stories in the genre. Meg shares her thoughts on the performances, particularly praising the cast while critiquing some production elements. She concludes with her rating and expresses excitement for more stories in the realm of Greek mythology.

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Welcome to my vertical obsession, and today we are talking

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about the daughter of Zeus on real short This one

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stars Gabrielle faith Brown as Aria, Cameron Poras as Cairos,

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Abigail Stanton as Harah, Andrew Tong as Hermes, and Mia

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Sidney as Daphne, and the synopsis for this is After

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witnessing her mother's murder at the hands of God's, Aria

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believes one thing gods are heartless. One day, she kills

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a mysterious golden lamb to feed her starving family, unaware

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that it's a secret creature of Olympus. She comes face

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to face with her mother's killer, the immortal champion of Olympus, Cairos,

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who brings her back to Olympus to face justice. Through

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her journey, she learns of her real identity, the strength

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that she holds, and the heartbreaking truth behind Chiros's violent history. Together,

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they face danger, overcome drama, and learn to accept their

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fate that bind them together for eternity. So surprisingly enough,

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I didn't do a big overview like I have with

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some other ones, but this one the overview I had

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was Chiros is a pawn and Hara's revenge to get

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rid of all the women's Zeus has slept with and

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the children he has fathered. Chiros ends up sparing the

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one child that will be the one who can free him.

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He knows he must protect her so Harah cannot find

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out she Ariya lived. While protecting her, the two grow

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closer and start to fall for each other. When Harah

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finds out that aria is alive, she uses her hold

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on Kiros to separate the two. But the one thing

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Hara didn't expect was Fate is much stronger than her

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power of control. In the end, Fate will always win

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out to Now, what I did was I went into

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this big thought, which I feel like is kind of

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a little bit of an overview of it too. But

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so for my thoughts of this where I really enjoyed

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how this one was a Greek mythology story, how it

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explored God's versus the typical other stories. When it comes

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to stories or series about Greek mythology, it's always fun

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to see what they took from the written history and

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what they changed to create their own story, because a

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lot of the times what is written isn't always what

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we know that there's probably more out there that we

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don't know, so it's kind of nice to see when

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series adapt that and turn it into their own. And

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for this one, it was about the children of gods

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and what they might be doing. And yes there was

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still some typical vertical drama through thrown in with the

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mean girls picking on the new girl. It still had

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a different feel to it and it was a different

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genre than the typical vertical, is what I'm saying. Also

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gave off a couple different messages within the series. I felt,

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one being that everything happens for a reason. Cairo spared

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Aria's life, not knowing that she would be the one

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to free him from Harrow's chains, which is the whole

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Everything happens for a reason because he saved her and

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now she's the one to save him. There was a

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reason why he saved her, It's because she can save him.

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The second to believe in fate, as their fate showed

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them they would be together and Cairos would be free.

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While they saw it, they didn't know how to fulfill it.

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It wasn't until they admitted they loved each other did

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it free him from Hara's control. Their fate was to

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love each other, even with the past between them. Fate

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showed them that even when evil things happen, love can

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save you. Aria was able to look past Cairos killing

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her mother and seeing the man.

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He could be.

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Chiros could see the good in Aria, even when she

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wanted to and try to kill him, that the bond

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they had was stronger than anything else. So those were

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kind of like two of the messages that I felt

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this series kind of gave off, especially with the Fate

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one because they had this horrible history because he had

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killed her mother, not by his own doing, but because

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he was under Harra's control. But still she could see

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past that and not see him as the killer that

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Hara turned him into, but see the person that he

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is and used to be before I got her control.

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And even though she tried to kill him and wanted

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to kill him on multiple occasions, he could see past

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that and still fall for the person and the woman

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that Ariya was. So that's how I sell the Fate

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and how I felt it was trying to come across.

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So some of the notes that I had for this

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one was kind of like more of a critique, I'd say,

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the other one was more of a question. So for

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the critique, it was about the props. The props kind

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of threw me off and kind of pulled me out

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of it a little bit. And I get it, not

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big budget have to kind of work with what you got,

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and maybe with some of the training, I could see

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it not being fully look like a sword, or maybe

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because it's supposed to be Greek mythology and they're the

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gods and they're in the heavens and they're in Olympus,

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that maybe the swords do look different. But watch again,

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you could just tell that they really foam and it

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just did not like it.

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Personally. I was not a f of that. And like

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I said, I know, not a big budget.

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Similar with TV shows, they don't always have a big

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budget to do certain things.

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Use an example for this is that the Flash.

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I know, when it came to the Flash series, there

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were some like special effects in certain episodes that people

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would rip apart and make fun of because they were

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cheesy to them and they didn't think it looked good.

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So I think that is what this came across as

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a little bit for me, is that the swords, especially,

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they just look too foam and not real and just

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really kind of pulled me out and I don't really

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know how props work for swords. I feel like there

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might be some swords that look real, but they're like dull,

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very dull.

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I feel like that I've seen that.

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But again it might have been because they were trying

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to be like, oh, well, since they're in Olympus, maybe

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they don't have the standard swords and maybe they have

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a different type of sword that they use.

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But I guess it just I was not a fan

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of how fake they look.

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That was the only thing that really kind of annoyed

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me about that is just they looked so fake.

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But I really thought that.

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This one had like such potential, like it had potential

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to be such a good series and maybe kind of

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expand more to do more with it, or have other

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series that are based on Greek mythology, so kind of

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like exploring different Greek mythology type stories. I feel like

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it has that potential to build and expand that world's

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a little bit I feel like. But also to say

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that this isn't the only series that the props have

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driven me a little crazy. It's just one of the

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ones that it's like really out there. So but there

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are some other ones, other series where I'm just like

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this prop you can tell it's so fake or The

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other one too is when people get cuffed, which is

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also a TV show thing too that I notice. So

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it's again not a vertical thing. It's just simply, I

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think act wise, it can look weird if it's not

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done correctly on camera. And I've, like I said, I've

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noticed that on TV shows too, because one of the

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things that I've seen mentioned is that they don't actually

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cuff people on camera or in a show. They just

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hold like their hands unless they actually need to show

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that they're cuffed. I think that's different. But when someone's

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being like arrested and they're cuffing them and then dragging

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them away by their cuffed hands, I don't think they're

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actually cuffed on camera. They just kind of make it

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look like it. But there are times where it slips

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and you see, oh, that's they're not actually cuffed, and

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that didn't actually go well. So I know I've I've

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seen that. I think I've seen it too. On Daytime

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is one that I feel like I've seen it too,

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But it's just it's just something that I kind of

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pay attention to a little bit more now.

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I'm not gonna lie.

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Uh, now that I've kind of know that, it's like

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when someone is getting cuffed on camera, I kind of

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will pay attention and be like, are they actually getting

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cuffed or are they just grabbing their hands and making

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it seem like they were cuff And to be fair,

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I understand that that is probably more of a safety

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thing too, So someone doesn't accidentally put handcuffs on too

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tight in a scene or does it in a way

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that they can't get it off if they need to,

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like reset. I feel like that's more why they don't

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do it in the scene, or at least how I

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feel like it might be explained as to why they

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don't do it in the scene, and there could be

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times where they do, so I may be completely wrong

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on some of these, but it was just one of

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the things that I had read or seen about at

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one point. So so, and then, like I mentioned, I

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had kind of like a question in my notes, and

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it was to the fact of Cairo sparing Aria. So

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it's mentioned how if Chiros disobeys Hara, he would burn

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and that's shown when she tells him to kill Ario

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when she's in the cell and he won't do it

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and he burns up as he helps her get away.

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So when that came up and that was mentioned, I

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was like, but if he had spared Aria when she

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was younger and didn't kill her, wouldn't he have burned

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for that disobedience? And wouldn't Hara have realized that meant

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that he didn't do what he was supposed to, So

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wouldn't it make her realize that one of the children

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were still alive? And I probably thinking way too much

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of this, but it was just one of those things

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where I was like, wait, but if he burns when

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he disobedied is disobedient. Wouldn't he have burned when he

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didn't kill Aria because she told him to kill everyone

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in the house or to make sure the child was dead,

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but he spared her and walked away. So my brain

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also kind of thought maybe it was the fates sparing

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him so that way she could come back later and

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be his savior. And I'm not sure that is like

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the right way of putting it, but that was one

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of the thoughts that I had, is that, oh, well,

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maybe the fates who are saying that she's going to

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be the one to save him. Was like, we won't

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let him get burned for this disobedience because we need

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her alive to free him. And if Harah realizes that

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she's still alive, then maybe it will throw everything off.

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And then the other thought was, oh, maybe Hara was

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just gone before he got back from supposedly killing the child,

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so she didn't see him getting burned. And that's kind

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of the logical thought that I had, is that she

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just didn't see him getting burned, so she didn't know

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about it. She just assumed that he would kill everyone,

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or kill the children and the child that Sue's fathered,

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and she left before he could say, yes, she's dead,

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and just assumed, oh, she's dead, And that's kind of

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what I figured how it went, because if not, yeah,

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she should have realized that there was still a child

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of zeuses out there.

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Makes sense.

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Sometimes my brain overthinks these and goes, well, if you

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put this in here, well now you got to go, oh, well, this,

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this and this and all this is gonna happen. But

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if it doesn't happen, then we're so I Sometimes I

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overthink some of these things way too much, and this

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was definitely one of them. And one of the last

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notes that I had was the fact that I loved

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seeing Savannah in this one. I did not really like

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seeing her as a mean girl because I love her

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in those sweet, adorable roles, so it was it was

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not fun to see her be the mean girl, but

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it was at the same time, you know, it was

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nice getting to see her play a different character and

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also playing a supporting role for this, So I really

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enjoyed that aspect of it because she's usually playing the

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lead female, so it was nice to see her being

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in this and being the support and being the mean girl,

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even though I prefer her sweet roles better, but it

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was it was nice to see her playing a different role.

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And the one of the things I feel like I've

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mentioned before, maybe not on this one on this podcast,

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but I know, but I feel like I may may

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have mentioned is that one of the things that I

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found and I've noticed is that the sweetest people in

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real life tend to play the best villains. And that

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is always one thing that I really love is when

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the best villains turn out to be the sweetest people

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in real life, because it's so different from who they

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are in real life that it's nice to see that

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contrast between who they are in real life versus who

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they're playing on screen. And I also did mention here

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that I would love to see her in another Greek

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god series, and when I was mentioning earlier how this

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series had potential and that there could be more, I

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would love to see more. I would love to see

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more Greek god type series. And I hope Real Short

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or any other of the vertical apps kind of start

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doing some more because I liked that. I liked the

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fantasy type series as well. I know we get a

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lot of werewolf ones and ones that involve witches, but

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there's other fantasy type shows, other supernatural type series and

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shows and stories that could be tapped into. So I

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would like to kind of see more of that in

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this vertical space. I think it would be fun. So

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that being said, as I said that this has been

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the Daughter of Zeus, So going into the rating, I

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gave it a seven point seven out of ten, and

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again not to say that I didn't like it or

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there it was terrible, because I did like it.

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I did enjoy it, but I said.

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The props kind of pulled me out, and that kind

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of it was a little bit of why the rating

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is a little bit lower, but I still loved it.

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I still thought it was great. I enjoyed the characters

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very much, so especially the cast. It was really well

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cast with all the different characters. I thought Cameron did

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a very good job. I really liked him in that role.

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I've seen quite a few of his verticals, but I

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think right now this one might be my favorite of

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him as Cairo's I will say that I thought it

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was just very fitting for him to be the I

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know Chirous isn't a Greek god, but that's what my

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brain is just wanting to say. But yeah, I thought

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it was a very good role firm and I really

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liked him in it, and said favorite so far to

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date of his series. And hopefully, I oh not hopefully,

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I do have another one that I am working on

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that he was in that will be coming up sometime soon.

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And I know there are some.

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Other ones that he's had in the past that I

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will go through because that's still my plan, as I've mentioned,

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to kind of do new ones and do old ones.

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So it's just a balancing act right now of which

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ones to do in which ones not to do so,

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or when to do them, so kind of catching up

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right now on some of the ones that I had

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written out before my break and some of the ones

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that I've just started watching to kind of go with

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the back and forth of the new ones versus old ones.

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But again getting back into this, but yes, I said

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this was still good, still recommend it. I loved it,

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And of course when it first dropped on real short

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as like coming soon and the trailer, I was like, Okay,

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I can't wait. I was counting down the days until

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this one showed up, and I loved it, and I

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was in the minute it dropped, I was like, yep watching.

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This, so I was. I was excited about this.

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One, and I think mostly because of the whole Greek

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mythology and the gods and that whole aspect. I think

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that's what really kind of drew me to this series.

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So so yeah, as always, would love to hear your

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thoughts on the series, what you might have liked or

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didn't like, and if you were enjoying this podcast, please

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be sure to give it a review. I am your host, Megan,

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and this has been my vertical obsession until next day

1.18 ReelShort - The Daughter of Zeus

Related to this Episode

The Daughter of Zeus: A Modern Take on Greek Mythology